Cruise (2018): Summer, Dragstrip, Retrowave

The action of the movie Cruise (Cruise, 2018) takes place in the summer in New York in 1987. A young American of Italian descent, Gio Fortunato (Spencer Boldman), lives carefree and fun: he participates in car races, hangs out with friends, earning a living working in an auto parts store and petty crime. Girls give him attention, and he takes advantage of it. One day he meets Jessica (Emily Ratajkowski), who unexpectedly turns out to be more than a one-night stand for him. But it is not known how serious this is for her, because she is more of a high-class than a middle- and in the fall she will go to college altogether (just like in the Deuce of Spades).

And Gio is ready to offer her his arsenal of entertainment: night rides, eateries in the neighborhood and adrenaline from teenage offenses. He and his friend “work” in a small way: when the heroes of Dragstrip Girl, Heaven’s Burning or Drive steal cars, these are only limited to tape recorders. In the 80s, everyone listens to the 80s, maybe even Italo(!)-disco. At some point, Gio turns on the New Order cassette (sounds Bizarre Love Triangle, 1986). Well, not bad. Well, the guy’s hairstyle and outfit are normal, he looks like a major greaser, wears clean white tishotki and levi’s.

He’s an Italian guy from Whitestone (Queens), she’s a Jewish girl from Long Island. The director tries to emphasize the nationality of his hero. At street races, they wave the Italian flag, and the kid has small Italian boxing gloves dangling in the car. Summer nights, Dax grease, oil cars, a pager, conversations on landline phones and cocaine from an audiotape by Richard Marx.

There are several questions for the translator Dionik, of course, with all my gratitude. What does “rygalovka” have to do with it? if we are talking about a “diner”, a diner. In the context of Gio’s dialogue with the girls in the car, “fuck you” is not “fuck you”, but “fuck you”. And in the diner, a friend asks Gio, “has she come?” By “come”, it means whether she has “finished”. In general, the Russian translation of the title of the film is questionable, the movie is rather called “pokatushki” or “scoundrel” rather than “Cruise” (but something more adequate and simple except as a Cruise does not come to mind). Let’s remember Gene Vincent’s song “Cruisin'”, it’s just about riding around the area in a wheelbarrow.

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Despite the fact that there is no rock and roll at all, I liked the movie. It was shot according to the canons of the genre, there are so many comparisons with the classics for a reason. The episode flashes posters for cult films: Rebel Without a Cause, Careless Rider, Rocky Horror Picture Show. Spencer Boldman looks like Ricky Nelson and Matt Dillon at the same time, looks spectacular. Even with some popness, his hero is calm, restrained and acts like a man. Emily is a very beautiful girl, here she is also all so glamorous, but in moderation and she has all the data of the actress. The slogan of the film ’87 Was Heaven…, directed by Robert Siegel himself grew up in New York, and the film captures the youthful biography of Gino Cafarelli, who plays Gio’s father here. And it seems that there’s a reason his mom looks so much like Jessica, the heroine of Ratajkowski. Apparently they really did it.

In the film, there is a whole scattering of cars from the eighties from all over the world, including several models from previous decades. The focus is on the Buick Grand National of 86. On the one hand, this is somewhat boring – no other way every director signs a contract stating that every film about the 80s must contain at least one Buick GN. On the other hand, the Grand National has become a real icon of the automotive industry of the 80s, and therefore it would be strange to imagine such a film without it. In general, the answer most likely lies in the fact that the GN is probably simply easier to find in good condition than some other notable model from the 80s.

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It’s a pity, because there are very few examples of the 80s hot rodding school in films, and this film does not become a pleasant exception. On the other hand, it is the direction of the 80s that everyone hates, and in this fact may lie the answer to the question of why no one shows such cars on the screen.

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Musician (Diddley Dogs), songwriter. I play the guitar. Rockabilly, country, jazz, blues, Soviet pop. I love English and making translations. Adore movies about music, America, and good life-based series.